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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Workshops and Appearances - The Business of Documentary (Online) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Note: This workshop will be held in a live, online format utilizing the Zoom platform. Class meets Wednesdays, May 17-Jun 21 from 5-6:45pm ET with 1:1 instructor time by appointment.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>This workshop is intended as a soup-to-nuts overview of podcasting</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Left in the Midwest - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>The D-Word: Storytelling Across Multiple Platforms</image:caption>
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      <image:caption>The People’s TV Podcast</image:caption>
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      <image:caption>Metapod</image:caption>
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      <image:caption>Why is this not a movie?</image:caption>
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      <image:title>Click Here to Edit Pages - Podcasts</image:title>
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      <image:title>Click Here to Edit Pages - Podcasts</image:title>
      <image:caption>Charlie Brennan</image:caption>
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      <image:caption>Real News Network</image:caption>
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      <image:caption>St. Louis Public Radio</image:caption>
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      <image:caption>People's Television Podcast</image:caption>
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      <image:caption>My Nuclear Life</image:caption>
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      <image:title>Click Here to Edit Pages - Podcasts - International Documentary Association Award Nominated</image:title>
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      <image:title>Click Here to Edit Pages - Podcasts - Ranked #6 in The Atlantic’s Top 50 Podcasts of 2021</image:title>
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      <image:title>Click Here to Edit Pages - Podcasts - Named an “Audio We Love” by Death, Sex &amp; Money</image:title>
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      <image:title>Click Here to Edit Pages - Podcasts - Voted One of the Top Podcasts of 2021 by the DXIFF Community</image:title>
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    <lastmod>2025-12-22</lastmod>
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      <image:title>Click Here to Edit Pages - Publications - Publications and Press of Note</image:title>
      <image:caption>SELECT PUBLICATIONS “The Man Who Was Supposed to have Killed Martin Luther King,” in Slate, December 1, 2025. “Tribute to Erich Roland, Cinematographer,”in Documentary Magazine. December, 2025. Nuclear Fallout: The Tooth Fairy and the Progress of American Science, forthcoming 2027. The Documentary Filmmaker’s Workbook: Directing and Producing Documentary, Vervante Press, October 1, 2024. “The Silent Ones,” in Pangyrus, November 19, 2024. “Every Documentary Filmmaker Needs to Know this Statistic , in No Film School, November 19, 2024. “True Conspiracies: The Legacy of J. Edgar Hoover and Dr. Martin Luther King, Jr.” in American Conspiracism: An Interdisciplinary Exploration, Routledge Press, July 2, 2024. “The Fugitive’s Paradox” in The Sycamore Review, November 2023. “The Bar, 1982” in The Nassau Review, May, 2023. Nominee for the 2024 Pushcart Prize in Nonfiction. “Surveillance and Subversion of Student Activists 1967-1970: Standoff in St. Louis,” in Left in the Midwest, University of Missouri Press. Hardback edition January, 2023 Paperback edition, May 2023. “The Promise,” in Minerva Rising, Issue 19, Fall 2020. "SILVERDOCS” in So You Want to Start a Film Festival, ed. Jon Gann, CreateSpace Publishers, Dec. 2015. “Momma Doc: The Filmmaker as Homemaker” in International Documentary Magazine, January, 2005 “Historians and Film: Taking History Off the Page and Putting it on the Screen,” in Public History, Krieger Press, 1999 2nd ed. A Paralyzing Fear: The Triumph Over Polio in America, Nina Gilden Seavey, Jane Smith, Paul Wagner, TV Books, 1998 “Frozen Out By Race,” Op Ed in The Washington Post, Oct. 6, 1991. SELECT PRESS THE MATADOR named “One of the Films We’'ve Loved Since 2000” by The New York Times and featured in “Exploring Modern Bullfighting Through ‘The Matador’: Tradition, Ethical Debate, and Documentary Insight” by Forward Pathway. “Feds Release of MLK files could crack open a St. Louis Conspiracy.” in St. Louis Magazine, July 24, 2025. Seavey v. Department of Justice et al makes the Electronic Frontier Foundation’s “Decade of Highlights” of bad acts by the government in the FOIA process. Obviously not a great list to have to be on but glad we pursued the truth to the bitter end. Standard Productions, Jesse Koepke Interview with Nina Gilden Seavey. 2024 Documentaries Are Booming - Here’s Why We Can’t Get Enough in TUDUM By Netflix “Probing Old Wounds: Filmmaker Nina Seavey Chronicles The Polio Epidemic”, The Washington Post “Five for Filmmaking: A Quintet of Documentarians Discuss Career and Life Choices”, International Documentary Magazine “All the Life Surrounding Death in the Afternoon” - Review of The Matador , The New York Times “Once a Fear Beyond Fear Itself” - Review of A Paralyzing Fear: The Story of Polio in America , The New York Times</image:caption>
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    <lastmod>2020-06-17</lastmod>
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      <image:title>Click Here to Edit Pages - Exhibition - Founding Director SILVERDOCS AFI/Discovery Channel Documentary Festival</image:title>
      <image:caption>Seavey was the Founding Director and Executive Producer of SILVERDOCS beginning in 1998 through 2007. Under her leadership, the festival was conceived, launched, and grew into the largest documentary festival in the nation. As a centerpiece of the festival, Seavey created the Charles Guggenheim Symposium, an honor bestowed on an esteemed non-fiction filmmaker as an annual tribute to Seavey’s prolific mentor, Guggenheim, who received 12 Academy Award nominations with 4 Oscar wins. In 2013 the festival was rebranded and is now known as AFI Docs.</image:caption>
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    <lastmod>2020-06-17</lastmod>
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      <image:caption>Nina Gilden Seavey has had a 35-year career teaching, mentoring, and inspiring hundreds of emerging documentarians from across the globe. Seavey is the Founding Director of The Documentary Center at George Washington University which she inaugurated in 1990.  In 2012, she was named one of the top 50 journalism professors in the US. She currently holds the Academic Rank of Research Professor of History and Media and Public Affairs at George Washington University. In 2021, Seavey joined the faculty of the Maine Media Workshops and College where she regularly teaches intensive workshops in directing and producing documentary films. During her three decades at GWU, Seavey taught her annual Institute for Documentary Filmmaking, named a “Top Ten Documentary Program in the US.” Seavey broadened her teaching mission when she launched the International Emerging Filmmakers’ Fellowship which brought together filmmakers from diverse nations such as Somalia, Kyrgyzstan, Kashmir, Malaysia, Nicaragua, Pakistan, Armenia, and many other countries to work together in production teams. Ever-committed to engaging the public in the art and form of documentary, Seavey launched the the documentary screening series, What’s Up? Docs! as well as to convened screening and conversation events in partnership with organizations such as Women in Film and Video, Docs In Progress, the International Documentary Association, among many others.</image:caption>
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    <lastmod>2022-04-19</lastmod>
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